Racial Innocence is an invaluable contribution not only because it exposes the racial dimensions of the concept of childhood innocence, but also because of its unique methodology, which addresses a critical gap between discussing childhood as a concept and addressing children’s lived experiences. Bernstein’s careful treatment of primary materials through the lens of performance expertly illuminates the intended uses and meanings of these objects, but crucially, she attributes agency to the real children who interacted with them by suggesting how these meanings are mutable and were reshaped in practice, leaving space for resistance to the dominant scripts. While the book is certain to find application within black studies, performance studies, material culture studies, and history, it is also a tremendous resource to those working in the areas of literary and media studies. It enlivens a diverse constellation of evidence, making it an exemplary model for any interdisciplinary project of similarly ambitious scope. --Meredith Bak, Journal of Popular Culture 45.4 (August 2012): 913-915.
Tuesday, July 31, 2012
"A tremendous resource....An exemplary model for any interdisciplinary project of similarly ambitious scope"
Another review is out! This one is in the Journal of Popular Culture. The review is by Meredith Bak, who maintains a very interesting blog about optical toys. Here's the final paragraph of her review: